Beloved Catholic kids book series ‘Chime Travelers’ becomes animated TV show
The Chime Travelers children’s book series is being adapted into an animated TV show. The series follows twins Patrick and Katie who travel through time via church bells to learn lessons from saints. Episodes will cover figures such as St. Patrick, St. Francis of Assisi, St. Clare of Assisi, St. Kateri Tekakwitha, and the Holy Family. The adaptation is produced by Family Theater Productions and Herald Entertainment, with author Lisa Hendey expressing excitement about the project.
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The beloved “Chime Travelers” children’s book series by Catholic author Lisa Hendey is being transformed into an animated television series, bringing its time‑traveling adventures with twins Patrick and Katie to a wider audience of young Catholics.
The new animated series is being produced by Family Theater Productions in partnership with Herald Entertainment – both Catholic‑focused studios 1 2. Development began after Hendey’s 2017 discussions with Family Theater, culminating in a series that adapts the original five book stories and plans additional saint episodes for future seasons.
Each episode follows the twins as magical church bells transport them to historic moments with saints. The inaugural season includes stories about St. Patrick, St. Francis of Assisi, St. Clare of Assisi, St. Kateri Tekakwitha, and the Holy Family 1 2. Hendey will serve as a consultant for new stories beyond the original books.
The series aims to fill a gap in Catholic children’s programming, offering an option that is both faithful and entertaining. Guffey highlighted that while adult faith shows may be watched once, children’s series are revisited repeatedly, making them powerful tools for catechesis 1 2.
“Chime Travelers” is currently streaming on the Catholic platforms Formed and Hallow 1 2. Additional saint stories are slated for upcoming seasons, with Hendey continuing as a creative consultant.
How does media adaptation of Catholic stories shape youth catechesis?
Media adaptation of Catholic stories can significantly shape youth catechesis by helping the Gospel “take flesh” in their cultural and imaginative world—provided it is done with wise discernment, doctrinal fidelity, and an explicit aim of forming faith, prayer, and discipleship, not merely entertainment. In practice, Church teaching highlights (1) the legitimacy and limits of adaptation, (2) the educational functions of audiovisual media, (3) the power—and distortive risk—of mass media on how young people perceive “what matters,” and (4) the need to integrate media with kerygma, prayer, moral formation, and communal life.
A key Church principle is that catechesis must be adapted to the “differences of culture, age, spiritual maturity, and social and ecclesial condition,” yet the adaptation is not free to alter the faith. The Catechism explicitly says that adaptations of catechetical methods are necessary and expected, but they must be handled responsibly through particular catechisms and those who teach the faithful.
Pope John Paul II develops the same idea: catechists may use “certain elements… that form part of the cultural heritage” to help people understand the “whole of the Christian mystery,” but they “refuse to accept an impoverishment of catechesis through a renunciation or obscuring of its message,” or through adaptations “that would endanger the ‘precious deposit’ of the faith,” including “concessions in matters of faith or morals.”
What this means for media adaptation of Catholic stories:
This matters because the “shape” of a story affects what viewers conclude is central. So fidelity is not only about accuracy of facts; it is about fidelity to the spiritual point of the narrative.
The Church does not treat media as morally neutral or purely optional. A 1972 Vatican document on catechetical materials gives a concrete account of what audiovisual media are for in catechesis:
Similarly, the General Catechetical Directory explains that “programs” in catechesis set educational goals by age/location/time, with methodological criteria and content. It insists that the “mysteries of faith” taught to adults must already be indicated for children and adolescents “in a way adapted to their age.”
Implication for youth catechesis: Media adaptation should function as a catechetical aid, not a replacement for content. A Catholic story adapted for youth is most effective when it:
Church teaching is also realistic about mass media’s psychological effect. The General Catechetical Directory states that mass media:
Because of this, catechesis cannot assume youth will naturally interpret media in a Gospel-shaped way. The Directory therefore says that the “message of salvation” must have a place among social communications media, and—crucially—it adds that catechesis must also educate the faithful to discern the nature and value of what mass media presents. This discernment “demands a technical knowledge of the language proper to these media.”
How story adaptation fits here:
When Catholic stories are adapted into media formats, they can correct “what the world makes feel real.” If youth rarely see the meaning of mercy, sacrifice, sin, or conversion communicated with narrative power, mass media may train them to treat these as peripheral. Catholic media adaptation can therefore help re-center attention—but catechesis must also train youth to read media critically, recognizing manipulation, oversimplification, and the flattening of moral and spiritual realities.
Catechesis with youth is meant to do more than convey religious information. The US bishops describe an “evangelizing catechesis” where youth formation flows from the kerygma—“the foundational experience of encounter with God through Christ’s death and resurrection”—and aims also at “growth in fraternal love, community life and service.”
They further stress that educational projects for young people include formation in Christian doctrine and morality, and that catechesis should help youth ask questions without judgment and wrestle with difficult issues, while receiving clear proclamation of salvation, implications of Gospel living, and God’s mercy.
Media adaptation can serve this fuller goal in two ways:
While the Church does not describe “animation” or “streaming” specifically in the sources, it does insist that catechesis should help learners internalize the Word and practice it in prayer. The Catechism links catechesis to teaching children, young people, and adults to meditate on God’s Word in personal prayer, practice it in liturgical prayer, and internalize it to bear fruit in a new life. Therefore, an adapted Catholic story should not end at inspiration; it should be able to connect to prayer and moral transformation.
The US bishops also highlight that evangelization with youth involves witness: “To tell our story… is to open ourselves up” and help young people see how God works in everyday experience. Authentic storytelling invites others to interpret life “with the lens of faith.”
Media adaptation can amplify this when it:
In other words: the goal is not merely to produce “likes” or emotional reactions, but to support formation toward discipleship and intimacy with Christ (as the Church’s youth-formation framework describes).
A recurring theme in the sources is that media use requires competent guidance. The 1972 Vatican text emphasizes training catechists in correct use because educators may otherwise use media passively or not understand media language properly. Meanwhile, the General Catechetical Directory frames catechesis through programs that specify goals and content by age and insists on appropriate adaptation.
So the shaping effect of media adaptation depends heavily on how it is mediated by catechists:
This is consistent with Catechesi Tradendae’s teaching that catechesis “takes flesh” in cultures while still refusing obscuring or impoverishment of the faith.
Media adaptation of Catholic stories can deeply shape youth catechesis by making the Gospel accessible to their cultural imagination and by helping re-center what “feels real” and “matters.” Yet the Church’s teaching sets firm limits: adaptation must be method-focused, not faith-altering; media should enrich catechesis with truthfulness, clarity, and beauty; catechesis must also train discernment of mass-media messages; and media should serve the full aims of youth evangelization—kerygma, prayer, and transformation. When catechists are trained to use media actively and integrate it within an age-appropriate catechetical program, adapted Catholic stories become not only engaging but genuinely formative.